Check out Purvi Shah’s work for VIDA on the unbearable white maleness of poetry and the economy of Best American Poetry: “…[I]t is shocking to put these two facts together: 1) in his language, Hudson used an Asian American woman’s name to place his poems; 2) there has been only 1 identifiable woman of color editor and 0 Asian American editors of the Best American Poetry series. It is abysmal when poetry, which could be the most democratic of art forms, is reinforced as the locus of the privileged White male.”
