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The Guy Was a Walking Metaphor: An Interview with Susan Perabo

Author Susan Perabo

There’s a story in Pushcart Prize winner Susan Perabo’s new collection of short stories, Why They Run the Way They Do, where an awkward stuffed-animal armadillo creates a metaphor for a struggling marriage. How is that even possible, you wonder? I have no answers. Perabo’s magic lies in her ability to pull beauty, insight, and depth out of the most mundane experiences. Read on to learn more about Perabo and some of the stories included in her collection. 

Kati Heng: The first quote I fell in love in this book with comes quickly — “My father thought the Hanleys were lunatics, but…he believed it was important for me to be exposed to lunatics — provided they were harmless — in order to be a well-rounded adult.” Did your parents share this same theory? Who were some of the “lunatics” you were exposed to while growing up?

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ALL THE FEMINIST POETS: Elline Lipkin

ALL THE FEMINIST POETS features a single poem and an interview from a feminist poet that we love.

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Elline Lipkin is currently a Research Scholar with UCLA’s Center for the Study of Women.  She also teaches poetry for Writing Workshop Los Angeles. Her first book, The Errant Thread, was chosen by Eavan Boland for the Kore Press First Book Award, and her second book Girls’ Studies was published by Seal Press. After many peripatetic years spent in all regions of the US and abroad, she now lives in Los Angeles.

 

 

                                                   La Sorcière

In literal French: a sorceress, a witch, also slang for any older,
 unmarried woman.  In French custom, a sorcière is also the name
for a simple band worn as a safeguard above a wedding ring.

                                                          It curls,
                           a thin slice of dun moon, its pressed lips
                           un-made-up against the stars’ hoyden brass.

                                                          And lines,
                           a tin wrinkle marring the stone’s set face,
                           a pucker of grey band capping the light’s fall.

                                                         It twists,
                          the concierge against her 6 a.m. broom, restless to sweep
                          two sets of 4 a.m. prints, fugitives fled past her door.

                                                        And taunts,
                          the loose gleam off a crinoline, a fille de joie’s indolent wink,
                          bordered by the nun’s stern wimple, the crone’s weird glance.

                                                        It sets,
                          flash status against the spinster’s slow fade, last aunt,
                          the mystery within the sealed attic’s rat-a-tat-tat.

                                                       Then pairs,
                          two cards pulled side by side from the arcana,
                          the diamond’s naive reach, the queen’s argentine pall. 

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We All Always Feel As Though We Are 12 Years Old Inside :: An Interview with Heather O’Neill


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Imagine a place where stories continue after the teller stops talking, the characters continue to move and exist and even question that very existence after the narrator has left the scene. Imagine an island where women are so scarce, men instead date human/animal hybrids, learning the troubles and joys of falling in love with a half-swan. Imagination, stretched to its very fantastic ends, is key in Heather O’Neill’s new collection of short stories, Daydreams of Angels, a collection that explores these premises and more. I got the chance to talk to the woman the literary world has nicknamed the “demented angel with an uncanny knack for metaphor” about the inspiration behind these stories, her own relationship to fantasies and more: 
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Past the Unreliable :: An Interview with Selah Saterstrom

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Slab (small title continued: “On That Hallelujah Day When Tiger & Preacher Meet”) is one of those novels that hits you fast and hard, that you finish in one sitting, gulping down like an ice-cold glass of water, yet fail to be able to fully recall or explain the experience even moments after it ends. What’s for sure is this: the story of Slab centers around Tiger, a woman named for the color of her hair, a dancer, a dreamer, a girl fully rooted in the post-Katrina South, who may or may not be narrating the entirety of her story to Miss Barbara Walters. It’s little use trying to quickly describe Slab or its character Tiger, who is, after all, only as complex and fascinating as the author of the beast, Selah Saterstrom. In our brief interview, Saterstrom explores religion and its possible “anti-heroes,” Southern roots (and holds), even the heroisms of Nancy Drew. If you enjoy even a piece of this interview, go, fast, and pick up Saterstrom’s Slab (and all her other works).

Kati Heng: The setting of Mississippi seems to hold such a prominence in the story of Slab. Could this story have taken place anywhere else? What would it have looked like elsewhere?

Selah Saterstorm: The de-categorizing hand of the disaster doesn’t mind manners or borders. In this sense, the story could have taken place anywhere. Capitalism and politics, however, are sickly-bloated with border-fetish. In this sense, the disaster that was FEMA very much locates the story in Mississippi and Louisiana.

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Character Comes First: An Interview with Anna North

author Anna North

author Anna North

There’s no way to talk about author Anna North’s latest novel, The Life and Death of Sophie Stark, without centering the conversation around its title character. Told throughout the viewpoints of the people in Sophie’s life (who often become the main characters in the films the young director Sophie creates), the woman’s life is revealed piece by piece, from insight into her bullied childhood as witnessed by her brother, to early success as a filmmaker as seen by her lover Allison, to frustrations and struggles with relationships as disclosed to us by her husband. An awkward yet elegant and oddly alluring woman, Sophie’s relationship with art, and her much heavier flawed relationships with those around her, make for a melancholic tale of the search for perfection and the costs it may take to get there. Continue reading

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Density and Chocolate: An Interview with Laurie Foos

Laurie Foos’ latest novel, The Blue Girl (Coffee House Press), is a story centered around secrets, most notably, that of the Blue Girl herself. A mysterious child living near the waters of a small lake town, the Blue Girl—whose skin is truly a cerulean shade for reasons unknown to both readers and the novel’s other characters—is a fascination for the teens of the town and a confidant for their mothers. Told from the perspective of several of these mothers and daughters, the stories of the Blue Girl and the women themselves, of all their secrets and tragedies, are slowly revealed throughout the semi-magical narrative.

I got the chance to ask Foos more about this Blue Girl, the power of secrets, and the fears she has about her own daughter entering her teenage years:

Author Laurie Foos

Author Laurie Foos

Kati Heng: Probably the question everyone asks yet you don’t want to answer—do you have a reason in your mind for what caused the Blue Girl to turn blue?  Continue reading

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Not Just Words on a To-Do List : An Interview with Cyn Vargas

The stories in On the Way, the new collection from Chicago author Cyn Vargas, come from a place of pain. Broken marriages, broken homes, lost mothers and distant fathers swirl in and out of the stories, told through a variety of narrators (though most often, those narrators are girls between the ages of nine and thirteen). Throughout the pain and failed relationships, Vargas creates a picture of something deeper than love: a loyalty, a responsibility, and a connection that outlasts the fun times.

I talked to Vargas about the stigmas of writing fiction close to your own story, the draw of a pre-teen perspective, and how often, love isn’t everything.

Author Cyn Vargas

Author Cyn Vargas

Kati Heng: I’m curious about your connection to Guatemala. You mention it in a number of stories, set some there. Have you been? Do you have family there?

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Pretty Standard F*ck the System Stuff: An Interview with Halle Butler

10302552_1032744126751498_715057184536230329_n Halle Butler’s Jillian’s the lucky thrill of a story, a first novel bursting out of its publishing gates with some of the funniest, grittiest and most devourable prose you’ll find all 2015. The story of Megan, a depressed and anxious 20-something slacker working at a dead-end job at a gastrointestinal doctor’s office, and her chatty coworker Jillian who’s about to descend on a financial meltdown after adopting a new dog, the novel revolves around attitudes—from the depths of Megan’s sarcastic remarks to Jillian’s “The Secret”-inspired too-wishful thinking. Continue reading

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Tender Points: An Interview with Amy Berkowitz

TP Cover

The following is an interview between Amy Berkowitz and me for her new book, Tender Points (Timeless Infinite Light), to be published this month. A narrative fractured by trauma and named after the diagnostic criteria for fibromyalgia, this book-length lyric essay explores sexual violence, gendered illness, chronic pain, and patriarchy through the lenses of lived experience and pop culture.

 My body is washing dishes and it’s in pain. My body is on hold with California Blue Cross Blue Shield and it’s in pain. My body is dancing and it’s in pain. My body is Skyping Beth and it’s in pain. My body is taking a shower and it’s in pain. My body is riding BART and it’s in pain. My body is politely saying no and it’s in pain. My body is reading a book and it’s in pain. My body is at work and it’s in pain. My body is writing this and it’s in pain. My body is walking to meet you and it’s in pain. (127)

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The Rad American Women Behind Rad American Women: An Interview With Kate Schatz & Miriam Klein Stahl

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Rad American Women A–Zwhich was just released from City Lights/Sister Spit, doesn’t pretend to be an exhaustive list of important American women. But to imagine the 25 women selected by author Kate Schatz and illustrator Miriam Klein Stahl as a representative sample is to imagine a world in which radicalism is somehow the norm, a world in which living as a woman in America might itself be a radical act. From Angela Davis to Zora Neale Hurston, from Dolores Huerta to Kate Bornstein to Maya Lin to Patti Smith to to Temple Grandin to Wilma Mankiller, the book profiles women who came from very different backgrounds and worked in very different fields, but who were all undeniably radical: in their politics, their aesthetics, their style, in the ways in which their work continues to shape and challenge our own lives. Very few, if any, of them are familiar from the Famous American Women books of my childhood. In one of the most moving sections of the book, Schatz and Klein Stahl devote the letter X to The Women Whose Names We Don’t Know, gesturing not only toward public figures who could eventually show up in middle-school social-studies curricula–“the women we haven’t learned about yet”–but toward the ordinary women “whose stories we will never read.”

I got to talk to Schatz and Klein Stahl over email about their collaboration, their own daughters, and about the politics of basically every concept in the title: radicalism, America, nationalism, women, feminism, and the alphabet! Continue reading

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