Tag Archives: Beyonce

Rah! Rah! Roundup

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At Bitch, Amy Lam interviews MariNaomi about her new graphic memoir Turning Japanese: “I think every young person feels like they don’t quite fit in, or if they do fit in, they feel like people don’t really know them. My version of not fitting in was because I was half-Japanese in a very Caucasian area. It was definitely pretty naive to think that I would find some kind of belonging in a foreign country.”

The Offing, the online literary magazine formerly attached to the Los Angeles Review of Books, is making some big, necessary changes; support them and read more about it in this essay from editor Chanda Prescod-Weinstein: “In 2016 our endeavors must include engaging in long overdue transgressions against tradition by actively working with and for people who have long been pushed to the margins, whether through dispossession, slavery, colonialism, erasure or all of the above.”

Over at Flavorwire Sesali B. writes about navigating abuse allegations in the media in regards to the recent split of Johnny Depp and Amber Heard: “But can you legitimately defend someone against allegations that are so personal? How? In a situation like this, can you really use your experience with them to gauge what their experience was like with someone else?”

Amandla Stenberg answers readers’ questions at Rookie as part of their new “How We Live” series, which is “a series centering on the lived experience and thought of black teenagers.”

Iman Williams writes on Beyoncé’s Lemonade for Entropy: “The Black feminine is denied entry and access to worlds and modes of being that cease to exist without her; Beyoncé’s Lemonade indicates that the conditions that situate the Black feminine in this interstitial space inaugurate a Black feminist futurity that exceeds a traditional symbolic order.”

Ginger Ko writes on connecting through the internet in her new essay for The Offing, “The Cave”: “I don’t consider myself obligated to maintain Facebook as a representative snapshot of the world, in which the most adamant and idle take up the most space with their ample voices and ample time. My blocked list is important to me, and shall be maintained for as long as my Facebook lives.”

Women are having to travel farther and father to access abortion, as reported at the L.A. Times: “As more states adopt more restrictive laws and the number of clinics dwindles in the so-called “abortion desert” – an area that stretches from Florida to New Mexico and north into the Midwest – women are increasingly traveling across state lines to avoid long waits for appointments and escape the legal barriers in their home states.”

Domonique Echeverria talks to Paper Magazine about her suicide attempt, the harm pharmaceuticals can do, prosthetics, and her own path to healing: “I’d done coke and heroin and acid and I’ll tell you, pharmaceuticals are the worst fucking drugs. They can make people sick. I guarantee you there’s more people addicted to pharmaceuticals than street drugs.”

The new issue of Divine Magnet (edited by WS contributor Seth Landman!) is now live, featuring work from Monica Fambrough, Lesley Yalen, Cheryl Quimba, Natalie Lyalin, and more.

What did we miss this week? Let us know in the comments! <3

 

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Rah! Rah! Roundup

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“It would be easy to pretend I am just fine with my body as it is–I am a feminist after all and I believe in diverse body types–but then I have to leave my apartment and face the world.”–Roxane Gay on how “by the power of Beyonce,” she’ll overcome her fears.

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Rah! Rah! Roundup

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In Elle, Melissa Harris-Perry “sent out a call of [her] own to writers and thinkers who center black women and girls in their work.” She says: “It is no secret that I am a platinum member of the Beyhive….But this is not just another music video. It is not just another Beyoncé video. Something different happened here, didn’t it?” The responses to MHP’s call are brilliant. 

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Rah! Rah! Roundup

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“The responses reflect a spectrum of experience among the writers,” she explained. “But I did notice that several poems discussed discovery, social justice, and resistance through existence and survival.”–Tabia Alexine, a Los Angeles-based curator on “reaching out to young writers of color she admired” to share their favorite poems

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Rah! Rah! Roundup

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If you were to argue that the only things to look at on the internet this week are pics of dogs in Santa hats, entire families in matching jammies, and your couple friends posing for ironic holiday card portraits, you’d be wrong, but you wouldn’t be that wrong. But fear not: WEIRD SISTER is dedicated to pleasing all you feminist news junkies home for the holidays, feeling your weird sister (or weird brother) roles afresh, experiencing that particular ennui known as “No one in my family is interested in debating the nuances of Beyoncé’s feminism,” and desperately scrolling your phone for something to remind you of your core values. Your hardcore pop literary feminist values.

Well, you’ve found it! Here’s this week’s links roundup:

90s nostalgia now has its own TV show, called Hindsight, debuting soon on VH1. (And if I didn’t feel called-out enough by the “What if you had been less Angela and more Rayanne?” ad I saw in the subway the other day, it turns out the protagonist’s name is Becca. :/ ) You can watch the trailer for the show here.

Speaking of subways, the NYC MTA about to launch its campaign against man spreading, and Gothamist recently interviewed men on the train about whether they were familiar with the term. My favorite response is from the guy who says, “If you notice, every man on the train has their legs wide open, am I correct? But you have to.” But you have to! Such simple, straightforward, elegant illogic.

 

In year-end music news, Ann Powers writes about how “Beyoncé set the bar for the several other women who scaled pop commerce’s heights with her in 2014, to present selves and songs defined by a feminist concept of abundance” and Jezebel rounded up a bunch of smart cultural critics to talk about “Nicki Minaj’s Ass and Feminism.” I also loved this little piece at The Toast called “Requests Made By Blondie During ‘Call Me,’ In Order Of Reasonableness,” wherein “Call me any day or night” is slotted in the “High-Maintenance But Nothing Unusual” category.

It only took 91 years, but this year Disney finally realized that audiences love female protagonists interested in more than just getting married. Marvel’s got some catching up to do, but plans to release Captain Marvel, its first movie with a female lead, in 2017. Manohla Dargis tells us how bleak the situation is for women directors trying to get hired by the six major Hollywood studios, which only released three movies directed by women this year. That’s right, T-H-R-E-E. Dargis reminds us that this probably isn’t a conscious act of discrimination, but the product of ye olde subtle, insidious sexism, which “often works like a virus that spreads through ideas, gossip, and stories about women, their aesthetic visions and personal choices, and doubts about whether they can hack it in that male-dominated world. Of course, the end result is that female directors don’t get hired.”

I loved this interview with Taja Lindley or Colored Girls Hustle on Feministing, which reminds us of the ways fashion and ornament have been historically devalued because they’re aligned with femininity:

Anytime we choose to enjoy and celebrate our bodies, it is a big middle-finger-up to all of the systems and people who would like us to hate ourselves instead, that would like us to be dead instead. Honoring and affirming our bodies by ornamenting them with adornment is a pleasure ritual. It is a freedom ritual to discover and express pleasure in a body that is under constant, severe, calculated, and systematic policing, surveillance, hypersexualization, demonization, marginalization and other forms of attack.

“If I was the fountain, she was the crank”: Dawn Lundy Martin’s essay on moving to San Francisco at 22 at learning from Angela Davis is worth it for the gorgeous prose alone, and is also very wise and very timely.

Last but not least, Ms. has a list of the top ten feminist hashtags of 2014. For me, it was the year of the affirmative hashtags #YesAllWomen and #BlackLivesMatter: yes and yes.

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