Tag Archives: Author Interviews

If Swimming Transcends Sports: An Interview with Sara Jaffe

Dryland, the first novel from Sara Jaffe, former guitarist for Erase Errata, has, much like it’s creator, way more than one thing going on. Starting quietly, simply, as the tale of sophomore Julie being convinced by one of the popular girls to go out for the swim team, Dryland moves on to explore ideas of persistence, of family ties, of sexuality, same-sex experiments and mentorships between opposite sexes, friendships, high-school crushes and so much more. Joining the team already in the shadow of her older brother, a one-time Olympic level swimmer who has moved to Germany, keeping a sure distance from his family, Julie struggles to find a place on the team separate from the expectations placed upon her. Labeled, as Jaffe herself finds funny, as a “sports genre fiction” story, Dryland is instead the story of dedication and finding out for oneself who and what truly matters.

 

Author Sara Jaffe

Author Sara Jaffe

Kati Heng: Most people know you as a musician first thanks to Erase Errata, but how long have you been a writer?

 

Sara Jaffe: I’ve been writing pretty much my whole life. I was one of those kids who was 7 years old and wanted to be a writer. I always played music as well, but it was almost surprising when music became my main thing for a number of years. I think I always sort of knew that writing was what I would ultimately pursue.

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Chronology Doesn’t Always Feel Good: An Interview with Eileen Myles

Photo by: Annabel Graham

Photo by: Annabel Graham

On November 10, 2013, I interviewed Eileen Myles over the phone. Our discussion was focused on her two-books-published-as-one, Snowflake and different streets. Now that Eileen has recently released two books on the same date—it seemed fitting to finally release this interview into the world. Here is Part 1 of 2 of my interview with Eileen Myles.

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Cathy de la Cruz: These questions are all about Snowflake and different streets.

Eileen Myles: I love this new twist in our relationship.

CD: I know… it’s so weird, but it’s kind of hilarious. In my mind, you are this book right now and you’re not my friend, Eileen. I mean that in the best way possible.

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Past the Unreliable :: An Interview with Selah Saterstrom

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Slab (small title continued: “On That Hallelujah Day When Tiger & Preacher Meet”) is one of those novels that hits you fast and hard, that you finish in one sitting, gulping down like an ice-cold glass of water, yet fail to be able to fully recall or explain the experience even moments after it ends. What’s for sure is this: the story of Slab centers around Tiger, a woman named for the color of her hair, a dancer, a dreamer, a girl fully rooted in the post-Katrina South, who may or may not be narrating the entirety of her story to Miss Barbara Walters. It’s little use trying to quickly describe Slab or its character Tiger, who is, after all, only as complex and fascinating as the author of the beast, Selah Saterstrom. In our brief interview, Saterstrom explores religion and its possible “anti-heroes,” Southern roots (and holds), even the heroisms of Nancy Drew. If you enjoy even a piece of this interview, go, fast, and pick up Saterstrom’s Slab (and all her other works).

Kati Heng: The setting of Mississippi seems to hold such a prominence in the story of Slab. Could this story have taken place anywhere else? What would it have looked like elsewhere?

Selah Saterstorm: The de-categorizing hand of the disaster doesn’t mind manners or borders. In this sense, the story could have taken place anywhere. Capitalism and politics, however, are sickly-bloated with border-fetish. In this sense, the disaster that was FEMA very much locates the story in Mississippi and Louisiana.

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Character Comes First: An Interview with Anna North

author Anna North

author Anna North

There’s no way to talk about author Anna North’s latest novel, The Life and Death of Sophie Stark, without centering the conversation around its title character. Told throughout the viewpoints of the people in Sophie’s life (who often become the main characters in the films the young director Sophie creates), the woman’s life is revealed piece by piece, from insight into her bullied childhood as witnessed by her brother, to early success as a filmmaker as seen by her lover Allison, to frustrations and struggles with relationships as disclosed to us by her husband. An awkward yet elegant and oddly alluring woman, Sophie’s relationship with art, and her much heavier flawed relationships with those around her, make for a melancholic tale of the search for perfection and the costs it may take to get there. Continue reading

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The Argonauts by Maggie Nelson: An Object of Love

argonauts cover

Maggie Nelson’s new book, The Argonauts (Graywolf Press, 2015), might be better than anything I’ve read previously by her (yes, better than The Art of Crueltyand even, I dare say, Bluets). Part personal essay/cultural critique/love letter to her newborn child and to her partner, renowned artist Harry Dodge, this whirlwind of text falls into neat fragments with its title borne from a Barthesian simile:

… in which Barthes describes how the subject who utters the phrase “I love you” is like “the Argonaut renewing his ship during its voyage without changing its name.” Just as the Argo’s parts may be replaced over time but the boat is still called the Argo, whenever the lover utters the phrase “I love you,” its meaning must be renewed by each use, as “the very task of love and of language is to give to one and the same phrase inflections which will be forever new” (p. 5).

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