My London Diary 3: Fatherless London

This is part 3 of a serial comic about travel-as-time-travel between 15 and 35, family vacations and research trips, and learning about being a daughter & a mom & a woman or whatever in London, the place where I had my first training in independence & dependence & terror & writing & adventure & desire.

Previously on My London Diary: I went on a research trip to London with my mom and my two-year-old daughter, and remembered traveling to London for my mom’s sabbatical in 1996; through time travel, I turned myself into a 34-year-old Teen Mom, and realized with reluctance that this is also a story about dads. Or their absence. (Click on image below to view a full-size image of the whole page, or scroll down to see individual panels for easier mobile viewing.)

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That’s it for this installment! Below are individual panels if you’re having trouble viewing the whole thing: Continue reading

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Rah! Rah! Roundup

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“After an Appleton clinic temporarily suspended abortions earlier this year due to funding issues, there are only three clinics that provide abortions remaining in Wisconsin…NARAL Pro-Choice Wisconsin announced recently that it is piloting a program in Madison to provide food, lodging and support for Wisconsin women who have to travel long distances to receive an abortion.”

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The Blank Space (continued), or, Night Fell in the Hole: A Comic

“The Blank Space (continued), or, Night Fell in the Hole” takes up where our last installment of “The Blank Space” left off. Read part one here, browse part two below, and stay tuned for what happens next in the non-linear, monthly serialization of a project known in its entirety (as it inches toward bookhood) as The Conditions of Our Togetherness.

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If Swimming Transcends Sports: An Interview with Sara Jaffe

Dryland, the first novel from Sara Jaffe, former guitarist for Erase Errata, has, much like it’s creator, way more than one thing going on. Starting quietly, simply, as the tale of sophomore Julie being convinced by one of the popular girls to go out for the swim team, Dryland moves on to explore ideas of persistence, of family ties, of sexuality, same-sex experiments and mentorships between opposite sexes, friendships, high-school crushes and so much more. Joining the team already in the shadow of her older brother, a one-time Olympic level swimmer who has moved to Germany, keeping a sure distance from his family, Julie struggles to find a place on the team separate from the expectations placed upon her. Labeled, as Jaffe herself finds funny, as a “sports genre fiction” story, Dryland is instead the story of dedication and finding out for oneself who and what truly matters.

 

Author Sara Jaffe

Author Sara Jaffe

Kati Heng: Most people know you as a musician first thanks to Erase Errata, but how long have you been a writer?

 

Sara Jaffe: I’ve been writing pretty much my whole life. I was one of those kids who was 7 years old and wanted to be a writer. I always played music as well, but it was almost surprising when music became my main thing for a number of years. I think I always sort of knew that writing was what I would ultimately pursue.

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Rah! Rah! Roundup

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“Black girls are six times more likely to be suspended than white girls…#SpringValleyHigh is everywhere.”

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We Were (Sobbing? No, Not Yet): On Jennifer L. Knox’s Days of Shame & Failure

It’s easy to read a book by Jennifer L. Knox and imagine all the characters between the front and back covers living in the same world, if not in the same town. This feeling is strongest in Days of Shame & Failure (Bloof Books, forthcoming 2015), Knox’s fourth and maybe most heartbreaking book to date. The characters Knox illuminates here (Marilyn in “Life’s Work,” Tommy in “A Fairy Tale,” unnamed I’s) are all bound together by various forms of shame and/or failure. And by extension, Knox, with her characteristic use of dark humor, holds a mirror up to us as readers. Some of these poems are gut-bustingly funny, some are sniffle-worthy, but most are even better: a combination of both. Knox isn’t so much keeping her finger on the pulse of life in America as she is speaking from it: that is to say, through saying a lot, trying to figure it out along with the rest of us (whatever “it” is).

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Framed in the Right Kind of Light: An Interview with Poet Carrie Murphy

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Photo by Sarah Perry Photography

I’ve known Carrie Murphy since 2011, when my DIY feminist press Birds of Lace published her chapbook Meet the Lavenders. Through Twitter we became online pals who shot the shit on everything from television to poetry to fashion, and eventually ended up on a short poetry tour together in 2012. This fall marks the release of her second collection of poetry, Fat Daisies (Big Lucks 2015), a whipsmart collection that interrogates white privilege, late capitalist consumerism, waste, and the gaping void of modernity—with wry humor, non-didactic feminism, and firm sincerity, natch. You can read two poems from the collection here; you can also take a selfie with Fat Daisies and enter to win a massage, a box of beauty/self-care supplies, and a copy of her first book Pretty Tilt!

I interviewed Murphy about Fat Daisies and her poetry in general: how to be a feeling, living person in this world that seems to turn every living thing into a consumable commodity.

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Gina Abelkop: Where did Fat Daisies begin: did it begin to emerge during the writing/editing of your previous book, Pretty Tilt, or sometime else entirely?

Carrie Murphy: I started writing these poems during National Poetry Month in 2012. I was doing a poem-a-day to get myself writing again, living in a tiny apartment in Alexandria, VA, functionally unemployed, and basically miserable. Continue reading

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Rah! Rah! Roundup

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Brittney Cooper writes for Salon about the “mundane terror” of the school-to-prison pipeline in America: “What struck me and many others with whom I spoke on social media, was the quiet resolve of the young girl who was attacked, as she saw the officer escalating…. It is almost as if she knew his brutality was coming, almost as if she were steeling herself for the blow, almost as if she was no stranger to having somebody with power put his hands on her, almost as if she were sure that no one would stand up to protect her. If those were her calculations, she was right on every count.”

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We Were There: Wax Idols and Them Are Us Too Live @ BOTH in San Francisco

Photo credit: Holly Coley

Photo credit: Holly Coley

I may be having a musical mid-life crisis. My efforts at personal growth and introspection have landed me in front of a funhouse mirror and suddenly so many things that I have loved, or thought I loved, possibly still do love, are bugging the shit out of me. “Please!” I whined the other day, “I never want to hear another band that thinks they sound like the New York Dolls. Make it stop.” I have a serviceable collection of powerpop 45s. Hell,  in 2004 I even snuck backstage to take a photo with the Romantics in my matching haircut and skinny tie.  A few months ago, I was weeding out dead weight from my record collection and jettisoned a batch of albums featuring 30-year-old men in pink overalls crooning about their underage conquests. But then, last Sunday, I was visited by my teenage self and received a jolt of inspiration.

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THE LIMITS OF REPRESENTATION

Illustration by Laura Cerón Melo (www.lauracerondesign.com)

Illustration by Laura Cerón Melo (www.lauracerondesign.com)

 

Background on this essay: It was written while experiencing intense violence & disassociation. I was looking at the literary community talk about diversity while I was fearing death. I felt like the literary community forgot about me because I wasn’t producing work. I was angry about all the talks of diversity & inclusion because they felt so middle class to me. I consider myself part of the literary community & was wondering why none of the literary-activists were outreaching hands of support to help me get better, to help me survive & continuing producing. Helping a transfemme latin@ poet that you know survive & continue to produce work feels like activism & community to me. I felt so alone, disappointed, & disinterested in those conversations about diversity.

 


 

While co-curating the reading series for Nepantla: A Journal Dedicated to Queer Poets of Color //

people said shit like, “The event needs more women, the event doesn’t have any Latinos.” And people NEVER said shit to me like, “Why aren’t their more youth represented? Why aren’t disabled queer people of color more represented? How do you center incarcerated QPOC? There aren’t enough trans/gender nonconforming poets in the reading.”

… Thus, I am wondering, who is worthy of being represented and who is not?

… I am worrying that we look at race and cisgender folx // then forgot about all the other nuances of our identities.

… I am worrying that we profit on the disenfranchisement of the most underrepresented members of our communities, while asking for our inclusion. We ask to be published in the name of literary diversity, to represent the trans community, but then we forget about the trans girls who don’t have access to the MFA or know any contemporary poets or have money to afford submission fees for journals.

I am not interested in retroactively adding another woman to the reading line-up. I am not interested in adding another Latino. Just cuz folks want more representation of _______________. Continue reading

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