Rah! Rah! Roundup

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If you live in Brooklyn/NYC or thereabouts, you are in the for a treat tomorrow! Popsickle 2016 features readings by Naomi Jackson, Wo Chan, our own WS editor Marisa Crawford, Joey De Jesus, Jami Attenberg and many more.

For those of you on the West Coast (Los Angeles, specifically), This Will Hurt Me More Than You opens at Last Projects tomorrow, feat. work by Ciriza, Michael Dee, and Cynthia Herrera; tomorrow night’s opening features a (not to be missed) a performance by Ciriza.

Alice Bag is interviewed at Bitch about her new solo album, how teaching informs her work, and more: “But when I go out on book tours and speak to students, it feels like I’m teaching again. It’s wonderful to get into discussions with college students who’ve read my book. As artists, we sometimes have opportunities to spark discussions about the changes we’d like to see. I’ve been able to do that through my music and touring, so in a way, I guess I’m still teaching, I’m just not in a classroom anymore.” Continue reading

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La Virgen de Oklahoma: Jane the Virgin and Flashbacks to Abstinence-Only Education in Biology Class

Jane the Virgin

I thought about staying a virgin until marriage when I was thirteen years old because I started attending a Baptist church with my best friend. She was almost two years older than me so, I figured she was wiser and she seemed very certain about remaining chaste. Sexuality, in general, was very confusing for me. For one, I didn’t want to think about sexuality. I felt trapped in a body that was not growing into itself, I felt ashamed to be in my body because of the trauma encrypted into my body at the hands of a grown man when I was a child. I was afraid that being touched meant giving away a part of myself that I could never get back. Being a virgin and “saving yourself” was a conversation I heard in church a lot. It was always about being pure for your future husband and once he gave you a diamond ring and proposed, on your wedding night, you could give him your version of a diamond ring. The both of you could stop dry humping in front of God and get to real life intercourse as God applauds at your ability to wait.
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Rah! Rah! Roundup

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At Bitch, Amy Lam interviews MariNaomi about her new graphic memoir Turning Japanese: “I think every young person feels like they don’t quite fit in, or if they do fit in, they feel like people don’t really know them. My version of not fitting in was because I was half-Japanese in a very Caucasian area. It was definitely pretty naive to think that I would find some kind of belonging in a foreign country.”

The Offing, the online literary magazine formerly attached to the Los Angeles Review of Books, is making some big, necessary changes; support them and read more about it in this essay from editor Chanda Prescod-Weinstein: “In 2016 our endeavors must include engaging in long overdue transgressions against tradition by actively working with and for people who have long been pushed to the margins, whether through dispossession, slavery, colonialism, erasure or all of the above.”

Over at Flavorwire Sesali B. writes about navigating abuse allegations in the media in regards to the recent split of Johnny Depp and Amber Heard: “But can you legitimately defend someone against allegations that are so personal? How? In a situation like this, can you really use your experience with them to gauge what their experience was like with someone else?”

Amandla Stenberg answers readers’ questions at Rookie as part of their new “How We Live” series, which is “a series centering on the lived experience and thought of black teenagers.”

Iman Williams writes on Beyoncé’s Lemonade for Entropy: “The Black feminine is denied entry and access to worlds and modes of being that cease to exist without her; Beyoncé’s Lemonade indicates that the conditions that situate the Black feminine in this interstitial space inaugurate a Black feminist futurity that exceeds a traditional symbolic order.”

Ginger Ko writes on connecting through the internet in her new essay for The Offing, “The Cave”: “I don’t consider myself obligated to maintain Facebook as a representative snapshot of the world, in which the most adamant and idle take up the most space with their ample voices and ample time. My blocked list is important to me, and shall be maintained for as long as my Facebook lives.”

Women are having to travel farther and father to access abortion, as reported at the L.A. Times: “As more states adopt more restrictive laws and the number of clinics dwindles in the so-called “abortion desert” – an area that stretches from Florida to New Mexico and north into the Midwest – women are increasingly traveling across state lines to avoid long waits for appointments and escape the legal barriers in their home states.”

Domonique Echeverria talks to Paper Magazine about her suicide attempt, the harm pharmaceuticals can do, prosthetics, and her own path to healing: “I’d done coke and heroin and acid and I’ll tell you, pharmaceuticals are the worst fucking drugs. They can make people sick. I guarantee you there’s more people addicted to pharmaceuticals than street drugs.”

The new issue of Divine Magnet (edited by WS contributor Seth Landman!) is now live, featuring work from Monica Fambrough, Lesley Yalen, Cheryl Quimba, Natalie Lyalin, and more.

What did we miss this week? Let us know in the comments! <3

 

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Crazy Excited About Being in the Car: Talking with May Black and Juli Sherry of Mutt

Mutt is a scrappy animal. Look closely and you can see traces of punk, riot grrrl, grunge and more, but no other dog can bark like this. Formed in 2015, Mutt is an Oakland-based trio, currently featuring singer and guitarist May Black, drummer Chris Maneri, and bassist Juli Sherry. Mutt’s first album, Creature, just came out in March. May and Juli recently answered a few of my questions from the road during a northwest record release tour.

Mutt

Elka Weber: What are your influences?

May Black: We are constantly introducing each other to new music. I grew up listening to a lot of country music, soft rock, and Broadway musical soundtracks gleefully provided to me by my folks but I also had a brother and sister a decade older… I did not start realizing I wanted to actually be a musician until I heard Cat Power’s album Myra Lee. After that the doors were blown open. I think whenever I approach a song I am still trying to capture that sort of edgy vulnerability.

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In a Letter of Recommendation for the New York Times, Jenna Wortham spoke of her experiences getting best friend tattoos: “I don’t regret any of the ink. When I look at it, I smile and think about the feverish throes of friend-love and how lucky I was to have felt it more than once.”

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Defining a Clit Lit Tradition: A Conversation with Elizabeth Hall

Elizabeth Hall

Elizabeth Hall (Via)

We need to start saying “clitoris” more. As Peggy Orenstein’s research in her new book Girls and Sex illustrates, we don’t focus enough in American society on female pleasure. We talk about consent, but not what comes after consent: patience, creativity, communication, orgasms, reciprocity, etc. Cis male pleasure is still prioritized. (Ann Friedman points out, in The Cut, that this isn’t just a young girl problem—it affects women of all ages.) Elizabeth Hall’s nonfiction book, I Have Devoted My Life To The Clitoris, just out from Tarpaulin Sky Press, is an unflinching contribution toward normalizing female pleasure and educating others on the full complexity of the clitoris. I wish I had read this book so much earlier in my life; it’s one of those ideas that seems so simple (a book about the clitoris!) that it’s unbelievable how long it has taken to be born into existence.

Elizabeth Hall uses bullet points to string together bits of information: historical facts, scientific research, female and male literary excerpts on the clit, and occasional first-person anecdotes. This is a slim book, easy to read in one day, though clearly the type of book you return to constantly or lend out to friends. Hall’s writing is smart, engaging, personal, political, and willing to take risks. Hall doesn’t hold back. I Have Devoted My Life To The Clitoris will give you courage and make you proud to have this complex, tiny nubbin of history, politics, and pleasure between your legs.  Continue reading

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Rah! Rah! Roundup

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For your Feminist Friday enjoyment: every plant and animal from Emily Dickinson’s poems, catalogued.

Read Weird Sister Caolan Madden’s poem “Haworth Honeymoon” in the new issue of Inferior Planets.

Krystal Languell talks about unpaid labor, ethics, and the unsung heroes of small press publishing.

“There needs to be a literary Juneteenth. We can’t rely on publications and presses that have, through the actions and complicity of their leadership, proven oppressive.” – Casey Rocheteau on why she left The OffingContinue reading

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They Don’t Really Hate You: An Interview with Anna Drezen and Todd Dakotah Briscoe

Todd Dakotah Briscoe and Anna Drezen both studied theater in college before becoming involved in comedy at UCB. The two now perform sketch and standup comedy regularly around New York City and beyond. Over two and a half years ago, they launched a hilarious website called, How May We Hate You? which was released as a book this week. I recently had a chance to ask the two writers a few questions about the origin of their book debut, their collaborative writing process, class structures in the United States, why not everyone should be a blogger, and other lighthearted matters.

Cathy de la Cruz: When did the two of you know you had to start your website, How May We Hate You?

Todd Dakotah Briscoe: Anna and I started posting guest interactions on our personal pages a year or two before the Tumblr itself launched. The interactions we had with guests were just too bizarre and hilarious to keep to ourselves. These interactions were far more popular than anything else we posted. We could have launched our own separate blogs, but one random summer day, Anna and I decided to meet for a drink at some terrible bar near Union Square to discuss combining forces. I’m so glad we did, because it’s great having twice the stories and another person to help do all of the work. Continue reading

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We Were There: The Period Shop

The Period Shop

Friday, May 13th, 2016

138 5th Avenue, New York, NY

When I was a little girl, there came a point where I was just waiting to hear a person me behind gasp over my first period stain. Even before I started having my period, I knew that it would be something that would be messy and embarrassing. My first period arrived when I was in the privacy of my own home, but I still didn’t want anyone to know about it. Now at age 35, I don’t care who knows I’m on my period and wished everyone felt the same way about what I like to refer to as my lady-time-of-the-month. There’s nothing to be ashamed of, and that’s why I was so excited to see a period pop-up shop.

It’s not that I like capitalism. Trust me, I wish it wasn’t a “shop,” but I do like the point college student Sarah M. was trying to make when she blogged about her idea for the shop, saying that if there can be stores that specialize in different flavors of hot sauce or types of shaving cream for men, why can’t there be a “space where women can feel comfortable, safe, respected and revered while shopping for their period.” The shop succeeded in its mission and it feels worth noting that all proceeds went to Susan’s Place, a transitional residence for homeless women in New York City. Continue reading

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Rah! Rah! Roundup

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“Framing the existence and realities of trans people in this way — as up for debate — is far from innocently provocative. It’s dangerous, specious, and complicit in the spectrum of violence that trans people face every day in this political climate.”–Oliver Bendorf in “Responses from the Trans Community on Daniel Harris and the Antioch Review

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