Category Archives: Books + Literature

It’s Kinda Creepy Because I Am: An Interview with Myriam Gurba

Myriam Gurba

When I read Myriam Gurba’s Painting Their Portraits in Winter last year I got that special book-soul-mate feeling that the best books give you, a sense that someone really GETS you, and the universe. Because I can never love anything without going full fangirl, I knew I had to reach out to Myriam for an interview, which– lucky you!– you get read below.

Myriam Gurba, Ms. Gurba, if you’re nasty, is a native Santa Marian. She attended U.C. Berkeley thanks to affirmative action. She is the author of two short story collections, Dahlia Season and Painting Their Portraits in Winter. Dahlia Season won the Edmund White Award, which is given to queer writers for outstanding debut fiction. The book was also shortlisted for a Lambda Literary Award. Gurba is also the author of two poetry collections, Wish You Were Me and Sweatsuits of the Damned. She has toured North America twice with avant-garde literary and performance troupe Sister Spit. Gurba’s other writing can be found in places such as Entropy.com, TIME.com, and Lesfigues.com. She creates digital and photographic art that has been exhibited at galleries and museums.

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Gina Abelkop: My first question has to be about one of my favorite things about your writing: your sense of humor. It’s silly, smart, biting, and joyful even in stories and poems that are emotionally taut. How and on what teeth was this sense of humor cut? Who are some of your favorite humorists and what is it that you love about their humor and/or work?

Myriam Gurba: My sense of humor was primarily sculpted by the sickest people I know: HELLO MOM AND DAD. My dad likes to joke about the horrific, like free-range children and customer service, and by example, he taught me that these are the things you are supposed to laugh about. My mom is different. She’s more elf than human. She doesn’t say funny things; she says things funny. For example, she’ll tell a story about getting into a car accident but she’ll refer to her car as her mystique since she actually drives a Mercury Mystique and her story will take on this exciting, Daliesque quality because imagine a normal conversation about a car accident but replace the word car with mystique. My parents, however, aren’t into queef jokes. In fact, I’m not even sure they could name a queef though I’m certain they’re familiar with the sound. In high school, I was socially attracted to girls who got accused of being unfeminine since they were funny and gross and so they shaped me, too. Boys accused me of not being feminine and of having too big of lips. My favorite funny people are people I know. My boyfriend makes me giggle. When I have low blood sugar and am surrounded by whites, everything gets hilarious. I appreciate humor that is gross, goofy, self-conscious, and, above all, humiliating. As far as publicly funny people go, I like Carol Burnett, Gilda Radner, Cardi B, Kristen Wiig pretending to be Bjork, Peter Sellers, Cheech Marin, Chris Rock and angry teenagers.

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This Kind of World Building :: An Interview with Sofia Samatar

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Confession time: as much as I’d like to consider myself a well-rounded reader, I hardly ever read fantasy books that don’t contain “Harry Potter” in the title. It’s hard to find one I like. My brain can’t find a way to care about stories of troops of men trekking through dragon-filled lands to find a mysterious object. I can’t relate to a lot of the typical fantasy genre novels that come to mind.

Luckily, there are authors and books out there like Sofia Samatar’s The Winged Histories (the sequel to A Stranger in Olondria, though it can totally stand on its own, too), a fantastic tale of an ancient war and four women both brought together and torn apart by it’s horrors, all doing their very best to change my perception on the whole fantasy genre.

What’s different about this novel? Although it’s hard to put my finger on the *exact * reason, let me just spout off a few: Gorgeous, gorgeous poetic writing. An invented language that’s equivalent to botany on a page. A kickass leader of the troops named Tav, a woman who basically picks up the slack and outshines the male counterparts trying to follow in her warrior footsteps. Romantic, racial, religious storylines and struggles that a non-fantasy devotee can care about.

Not convinced? Read this interview with Sofia herself, and then go read The Winged Histories for yourself:
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Middle Time: An Interview with Angela Hume

Middle Time

The following post features an interview I had with Angela Hume about her upcoming book of poetry, Middle Time (Omnidawn, 2016). This book breathes intensely between moments of ecology, biology, and temporality. Here’s an excerpt:

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Middle Time, p. 77

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Sex Permeates Everything: The Poetry of Lola Ridge

Long before the dawn of sexting and frank depictions of women’s sexuality in TV shows like Broad City, the candlelit tea-rooms of 1920s Greenwich Village boomed with women’s sex talk. They didn’t call those years “roaring” for nothing. World War I had just ended, as had the terrible flu epidemic. Both were short, and their casualties enormous. What else for the survivors to do but fuck, or at least talk about it? According to Foucault, poetry at the start of the 17th century was the only sex talk there was until two centuries later, when sex scientists like Havelock Ellis began a murmur that turned into the roar of the sex-positive 1920s. When women writers re-discovered sex in the 1920s, poetry was what the wild girls wrote. Bookstores couldn’t keep women’s work in stock, with poems like Mina Loy’s “Love Songs to Joannes” (“Pig Cupid/His rosy snout/Rooting erotic garbage.”) flying off the shelves.

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More Aware of the Music: An Interview with Idra Novey

When a celebrated Brazilian author goes missing in Idra Novey’s spitfire debut, Ways To Disappear, her American translator Emma takes it upon herself to find a woman who may not want to be found. Joining her children in the search, the translator soon finds herself tangled in the author’s messy, escaped affairs. The resulting novel is, in equal parts, mystery, comedy, social commentary, and maybe another part hilarity. Keep reading to find out more about what makes the novel’s author tick:

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Kati Heng: Of course, your novel gets me interested in translators, a hugely important part of the literary world readers often forget about. How did you get started as a translator? Is it something you want to continue to do as you (we hope) write more of your own novels? Continue reading

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From the Girlhood Lit Canon: 10 Vintage Book Covers You Need Framed in Your Apartment

When we were younger, books about girlhood let us know we weren’t alone, and showed us that young women’s voices and stories are important; that girls can be smart, adventurous, playful, sad, and strong. Now that we’re all grown up, these amazing vintage covers would be just perfect for blowing up, framing, and hanging in our apartments.

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Vintage Book Cover: Go Ask Alice

I just learned that this book wasn’t really written by an anonymous drug-addicted teenager like last year. What is definitely ultra-real though is this awesome cover. (Via) Continue reading

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We’re Obsessed With: Octavia Butler’s Handwritten Journal

The Huntington Library recently revealed this cover page from brilliant science fiction legend & Afro-Futurism pioneer Octavia Butler’s personal notebook, which was discovered in their archive:

via huntingtonblogs.org

“This is my life. I write bestselling novels.” **CHILLS** Continue reading

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Table for One: “Making It” & the Promotion of Narcissism

Photo by Nicole Heffron

Photo by Nicole Heffron

This fall, while I was working on a few artist statements for a few different applications, I was concurrently reading up on Narcissistic Personality Disorder. I was particularly interested in how Narcissus almost did not make it into the DSM-V. He eventually held on to his spot in the Personality Disorder section, despite all the debate. So proud of you, phenomenal Narcissism! You survived your potential death knell and continue to plague society. Or is it society that plagues the Narcissist? Arguably, this particular “disorder” has socially constructed, rather than biological, roots. In a nutshell, rates are higher in the US than most other countries, and are higher among men than women. These facts are not surprising. Our capitalist, individualist culture fuels narcissistic tendencies, surely. But do our literary and artistic communities need to feed narcissistic tendencies? Or is there room for all sorts of brilliance to shine, equitably?

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The Coldest Winter Ever: A Coming-of-Age Tale & Hip-Hop Opera

Winter Santiaga, the protagonist of Sister Souljah’s 1999 debut novel The Coldest Winter Ever, is anything but a wallflower. The equally beautiful and selfish favored daughter of Brooklyn drug kingpin Ricky Santiaga, Winter is sixteen going on twenty-five, and accustomed to the luxuries bought with dirty money—her biggest concerns are looking fly, getting off, and having fun. When things are good, Winter’s life is a label-flashing Hype Williams video. Her father expresses his love through expensive gifts, from 14-K gold and diamonds to head-to-toe Chanel and Gucci outfits. Winter admires Ricky’s hustle, confusing wealth for the promise of unshakeable stability, social status, and security. Unfortunately, Ricky’s empire implodes when jealous rivals snitch to the feds. He is arrested and shipped off to Rikers. CPS snatches up Winter’s three younger sisters, and her mother is arrested for being an accessory to her husband’s felonies. Without hesitation, Winter snaps into solider mode, plotting and scheming ways to make some quick cash while remaining in hiding. She’s not above using sex to get what she wants, whether that be cash, transportation, or a place to crash for the night. She says, “To be able to shit on people before they get a chance to shit on you. That’s power.”

Including her fiction debut, Sister Souljah’s books continue to sell year after year. Despite the staggering success, mainstream publishing has been quick to categorize her work as Urban Literature or Street Lit. The origin of the name is literal and, according to scholars such as Keenan Norris and authors such as Omar Tyree, refers to stories around the plight of urban life, ranging from Stephen Crane’s “Maggie: A Girl of the Streets” to Iceberg Slim’s memoir, Pimp: The Story of My Life, and Richard Wright’s Native Son. Yet mainstream publishing, which is typically not a reflection of diversity but racial and often gender uniformity, uses this label as a code for Black, as though all work revolving around Black characters in urban environments repeat the same stories. One look around your last standing Barnes and Noble, or even while browsing the endless genres on Amazon, shows this race-based categorization and exclusionary hierarchy of literature. Souljah’s novels routinely address the trials and tribulations of Black and African-American people. However, this does not mean that her work cannot also embody a category not defined by Otherness. This would otherwise simply be known as Fiction. Continue reading

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If Society Breaks Down :: An Interview with Vanessa Blakeslee

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Set in a tumultuous time of Colombia’s history, Vanessa Blakeslee’s novel Juventud explores the equally complex relationships between Mercedes, a young privileged teen in love for the first time; her father, a secretive man with a dark and crime-filled past that Mercedes has only heard whisperings about; her boyfriend Manuel, a young believer seeking changes for his nation; and her mother, a woman living in America whom she hasn’t seen since she was a baby. A dizzying and heart-rendering tale of the complications between these relationships, Juventud exposes the longings of young idealists and the pressures set upon us to protect the ones we love.

I spoke to Blakeslee about the story of Columbia, the dangers of first impression, the way she’s learned to shoot a gun and more:

Kati Heng: Your novel Juventud not only takes place in, but is entirely connected to the story of Colombia itself. What is your connection to Colombia? What about the country fascinates you?

Vanessa Blakeslee: At Rollins College I became acquainted with several students from Colombia, Ecuador, and Venezuela. They told stories of getting driven around by private chauffeurs in armed cars, having maids dress them until they were twelve; one young woman in particular, from Colombia, told a harrowing story of how she believed her father had somehow been involved in a tragic incident with her first love, after which she was convinced to finish her studies in the U.S. Continue reading

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