Category Archives: Books + Literature

The Rad American Women Behind Rad American Women: An Interview With Kate Schatz & Miriam Klein Stahl

cover
Rad American Women A–Zwhich was just released from City Lights/Sister Spit, doesn’t pretend to be an exhaustive list of important American women. But to imagine the 25 women selected by author Kate Schatz and illustrator Miriam Klein Stahl as a representative sample is to imagine a world in which radicalism is somehow the norm, a world in which living as a woman in America might itself be a radical act. From Angela Davis to Zora Neale Hurston, from Dolores Huerta to Kate Bornstein to Maya Lin to Patti Smith to to Temple Grandin to Wilma Mankiller, the book profiles women who came from very different backgrounds and worked in very different fields, but who were all undeniably radical: in their politics, their aesthetics, their style, in the ways in which their work continues to shape and challenge our own lives. Very few, if any, of them are familiar from the Famous American Women books of my childhood. In one of the most moving sections of the book, Schatz and Klein Stahl devote the letter X to The Women Whose Names We Don’t Know, gesturing not only toward public figures who could eventually show up in middle-school social-studies curricula–“the women we haven’t learned about yet”–but toward the ordinary women “whose stories we will never read.”

I got to talk to Schatz and Klein Stahl over email about their collaboration, their own daughters, and about the politics of basically every concept in the title: radicalism, America, nationalism, women, feminism, and the alphabet! Continue reading

2 Comments

Filed under Books + Literature, Interviews

The End of An Anxiety: An Interview with Sarah Manguso

url

One of the first lessons I learned in my writing classes was that writing about writing is not engaging to anyone except the author. Yet, when you find a piece about writing that’s not vain, pompous, masturbatory, but actually meaningful, actually open and honest and important, it’s hard not to be impressed.

In Sarah Manguso’s extended essay, Ongoingness:The End of a Diary, the author writes a meditation on the diary she has kept for 25 years, all without including a single quote. The result is a stunning look back on the writings she kept for years, the notes she took furiously in an attempt to mark down her days, to keep them real in some place beside her mind.

Kati Heng: With a diary that’s almost 1,000,000 words long, you seem like the person to go to for diary-keeping advice! Can you give us any tips?

Sarah Manguso: If the goal is to write a lot, I’m the wrong person to ask—a million words in 25 years isn’t much. It’s about a hundred words a day.

KH: Your book is called Ongoingness: The End of a Diary. Why did you decide to call it “The End?” Continue reading

Leave a Comment

Filed under Books + Literature, Interviews

ALL THE FEMINIST POETS: LaToya Jordan

ALL THE FEMINIST POETS features a single poem and an interview from a feminist poet that we love.

***

LaToya Jordan

LaToya Jordan is a writer from Brooklyn, New York. Her poetry has appeared in Mobius: The Journal for Social Change, MiPOesias, Radius, and is forthcoming in Mom Egg Review. She is the author of the chapbook Thick-Skinned Sugar (Finishing Line Press). She received an MFA in Creative Writing from Antioch University Los Angeles. Her biggest fans are her husband and pre-schooler.

 

Miss Missing

White sashes embroidered
with gold letters
showcase our locations:

Bottom of the East River
Abandoned Lot Southwest of Philly
Burnt House in North Carolina
Buried in a Park in Seattle

Last year’s winner pins
the crown to my head.
From Miss Ditch in Ashland County
to Miss Missing.
Mascara tears and black eyes
There she is, Miss Missing.

You probably saw my college graduation
photo on the news and in the papers.
All-American face and form. Flawless skin
now dressed in tiny red mouths
trapped in rigor mortis screams.

I pray for someone to hear
our remains. We sing a raspy song,
reenactment of last breaths
to welcome the new pageant girls.

The newest sisters of our piecemeal gang
include the one with fingerprint tattoos,
a girl who carries her head like a purse,
and the woman whose baby trails behind her,
still connected by the umbilical cord.

The girls add pushpins to the map
on the wall backstage. X marks the spot.
A rainbow of pins, thousands of them
crisscross with our limbs
like cross country railroad tracks.

Find any of the other contestants,
Miss Landfill Los Angeles or
Miss Abandoned Car in Brooklyn,
and I bet that beneath brown decomposing skin,
their bones are as pale white as mine.

(published by Radius)

Continue reading

1 Comment

Filed under All The Feminist Poets, Books + Literature, Interviews

Chloe Caldwell’s Women Isn’t About Anything and It’s About Everything

chloe caldwell

Despite the title, Women by Chloe Caldwell (Short Flight/Long Distance Books, 2014) is not just for women. It’s for anyone who likes reading fiction but also has a problem with reading fiction. It’s also for feminists who want to read a book with predominantly female characters. It’s also for anyone who’s bisexual and/or ever questioned their sexuality. It’s also for all the above and none of the above.

“You have to read this book. It’s stayed with me for months,” I say to a friend over dinner.

“What’s it about?” my friend asks.

“It’s about…” I begin to say, even though I don’t like answering what things are about, even though I often ask others what things are about, “the difficulty of writing about experience in the same way that holding onto love is seemingly impossible.”

Continue reading

2 Comments

Filed under Books + Literature, Reviews

The Zack Morris Cell Phone Aesthetic

zackmorris
I was thinking about the aesthetic Marisa and I invented, the Zack Morris Cell Phone aesthetic, and I guess it’s in the same family as the Lisa Frank Sticker, Hello Kitty Lunchbox, Which Baby-Sitters-Club Character Are You aesthetic (which are part, but not all, of the Gurlesque aesthetic), but in lots of ways it’s the opposite. Because it’s fun to put stickers and songs in your poems—there’s a pleasure in the nostalgia and in the flipping-off of those who want to police the pop out of poetry (say it like “police the fuck out of poetry”), but the Zack Morris Cell Phone aesthetic has to be slightly embarrassing. Like that feeling you get when you see a giant cell phone or a boxy computer monitor on an old TV show. Like, you’re trying to pay attention to the story but you can’t, because god that thing is so big, uhhhhhhh…. It is pure spectacle, that thing that freezes narrative. But it wasn’t distracting at the time: that was just how life looked then. For most of human history we don’t have tons and tons of examples of how life looked so now that they’ve started to pile up and life has started to look so different so fast it’s kind of mortifying. Like your mom did something humiliating but “culture” = your mom. “Your mama’s cell phone is so big….” To get this kind of feeling into your poetry you’re going to have to dig out not just the memorable kitsch but the toys you never told anyone you played with. Your secret collections. Maybe that bag of troll dolls with their hair cut off you found in a closet at your mom’s could count, but that might be too cool. To achieve the Zack Morris Cell Phone aesthetic you can’t be a complicit consumer in a winky way, it has to be something you’d prefer to never tell. Is this just Confession all over again, but with more stuff? (And what would it mean to want it more than wanting to stand in line outside the store to get the six, seven, eight, nine, ten…?) What it offers for nostalgists like you and me is the reminder that the past isn’t always cute, but also full of space junk. And we play Kick the Can in the landfill of our own obsolescence.

Leave a Comment

Filed under Books + Literature, Everything Else

Emoji in Translation: A Review of The Grey Bird

greybird-cover-final-draft

The Grey Bird, (Coconut Books, 2014), with emojis by Carina Finn and translations by Stephanie Berger, is one of the most exciting books I’ve read in a long time. Here’s why:

1. Collaborative work is better reading than solo projects.

Sometimes when I read a book by a single author, I want to write in the margins and create another poem/work, offering editing suggestions, and/or just plain letting them know how much I loved a certain line. When you have more than one lens involved in a work, you can see more than a single consciousness’s approach, and it often seems “better” than what I would imagine would have been created on one’s own. If I had just seen Finn’s emojis or just read Berger’s text, I am not sure I would have been as entranced. It’s the combination that works and is brilliant.

Finn’s emojis on their own:

??????????????????

Berger’s text on its own:

Is that a poem or just a bunch of food? Continue reading

2 Comments

Filed under Books + Literature, Reviews

Bad or Boring: Doing Without Ethics in Poetry

Hi guys. I’ve noticed something about the word boring.

I noticed it most recently in discussions about Kenneth Goldsmith’s performance of his version of the St. Louis County autopsy report for Michael Brown. Many people responded with outrage to Goldsmith’s appropriation and objectification of Brown’s body (see the above link to Rin Johnson’s piece and Amy King’s piece asking “Is Colonialist Poetry Easy?”, among others); many of them saw his performance as symptomatic not only of an individual poet’s bad taste or careless sense of entitlement, but of the inherently white supremacist values of avant-garde poetry specifically and the American literary world in general (values that Cathy Park Hong brilliantly exposes in “Delusions of Whiteness in the Avant-Garde,” and that the Mongrel Coalition Against Gringpo continues to critique and rage against and lampoon). Goldsmith’s performance, many of these critiques point out, is a logical extension of a position he outlined in a 2009 inteview in Jacket:

I really have trouble with poethics. In fact, I think one of the most beautiful, free and expansive ideas about art is that it — unlike just about everything else in our culture — doesn’t have to partake in an ethical discourse. As a matter of fact, if it wants to, it can take an unethical stance and test what it means to be that without having to endure the consequences of real world investigations. I find this to be enormously powerful and liberating and worth fighting for. Where else can this exist in our culture?

The word, or the concept, of boring seems to come in when people want to preserve this anti-ethical practice but disavow the specific performance Goldsmith gave. I think that’s happening in this response from the publishers of SPORK Press, which celebrates Goldsmith’s “right to fail” as an artist, but notes that “personally I find the autopsy piece (offensive,) facile, and more specifically, boring.”

Continue reading

9 Comments

Filed under Books + Literature, Everything Else

Tell Me How to Live My Life: An Interview with Michelle Tea

Illustration by Forsyth Harmon

Illustration by Forsyth Harmon

What does it mean to be a grown-up? I’m 32, and even though part of me still feels like a teenager, I’m slowly accepting the badge of “adult” and trying to wear it proudly. Whenever I feel like I don’t know how to be a grown-up—scared that it might mean trading in my sparkly nail polish, Baby-sitters Club obsession, and love of staying up all night writing—I look for guidance to the trailblazing feminist writers and artists that inspire me. Near the top of that list is Michelle Tea. Ever since I learned about Tea’s work in college, I’ve been drawn to her always-honest, often-hilarious, and usually heartbreaking memoirs, fiction and poetry that capture exactly what it’s like to be a working-class teen girl on acid in the suburbs, or a twenty-something queer punk navigating 90s San Francisco, infused with so much energy and intelligence and humor that it’s downright infectious to read. Michelle started the legendary all-women performance group Sister Spit in the 90s (and later the publishing imprint by the same name), built the SF-based literary organization/reading series RADAR Productions from the ground up, blogged about trying to get pregnant (and then about becoming a mother!) in her 40s, and founded a totally rad mothering magazine. She’s edited several fantastic anthologies, wrote a YA fantasy series, and so much more. Tea’s new memoir How to Grow Up details her beautifully unconventional path to where she is today—offering advice on jobs (“jobs are for quitting”), relationships, money (“I imagined the spirit of money as a tenderhearted fairy who longed to share herself with everyone”), battling addiction, and more. It may just be the guide to embracing a happy, healthy, uniquely awesome feminist adulthood that you, and I, need. Continue reading

3 Comments

Filed under Books + Literature, Interviews

There’s an Equation to Explain This: An Interview with Sarah Gerard

food-is-a-private-hell-love-is-a-private-hell-386-body-image-1422300018

Not even five years ago, I went through a compulsive addiction to taking up less space. I wanted to inhabit less of the world, to see my bones show through the skin and be pared down to my skeletal size, maybe less. My eating disorder had so much less to do with eating than with a desire to be less. It wasn’t about vanity, even. On some level I knew I looked terrible all angled, washed out, and cold. Anorexia is supposed to be such a common disease, yet, deep in the throes, I never found a book that understood me and my disease, that didn’t paint me as a cheerleader or the desperate Queen Bee of high school. Nobody saw me as more than a cliché.

Enter Sarah Gerard’s parse new novel, Binary Star. The tale of addiction as told through two lovers, an unnamed girl struggling with an eating disorder and her boyfriend, an alcoholic, the story traces our inner desire for perfection and the methods we use to numb ourselves upon realizing we may never make it. Binary Star is the first thing I’ve ever read that understands eating disorders, I imagine less than coincidentally because Gerard herself has found herself in the depths of the disease. For the first time in my life, I saw on paper a character who wanted to inhabit less physical space, to have her clothes orbit around her frame, in the same terms I thought were entirely unique to my own disordered line of logic. I read the whole book in a couple hours, unable to steady myself until I knew how it would end. Continue reading

3 Comments

Filed under Books + Literature, Interviews

Why You Should Read The Meatgirl Whatever by Kristin Hatch

Image via Fence Books

This book is so good that I’m afraid of writing an essay about it because essays are kind of this fake vehicle for the essayist to sound/feel clever about herself and how she noticed this or that pattern in whatever book and ignored passages x or y that really don’t fit with said pattern and maybe things are supposed to be messy and cryptic and unknowable and that’s the beauty of it all, whatever “it” is. Thus:

1. From “Meatgirl Training Shift #1”

open your mouth wide.

your eater should see fur down your throat.

you have to stay like this as long as he eats.

sometimes after they try to throw the bones in your mouth.

don’t get mad.

they think we like it, like they’re telling us we’re doing good.

Continue reading

Leave a Comment

Filed under Books + Literature, Reviews