Mickey, the new novella from Chelsea Martin, starts as the story of a breakup gone wrong. The unnamed narrator dumps Mickey almost as soon as the story starts before asking him back, asking him for favors, pushing him away and pulling him in every confusing direction. It’s a tale of an accidental dominatrix, until, that is, the third major character of the novel, the unnamed girl’s mother, is introduced. The novel opens up, explains the narrator as a human rather than some dumb, flawed millennial as we see every one of the girl’s actions reflected back onto her from her own mother.
It’s a fascinatingly quick, yet intense tale of flawed relationships and the cycles they create. I couldn’t help but ask Martin to tell me more:
Kati Heng: Is the narrator of Mickey in any way based on, or like you?
Chelsea Martin: She’s a character. She’s not me. Her experiences are different than mine and her relationships are different and her personality is different. But I do see the book as a self-portrait in some ways. I was working through some personal stuff while writing it. That stuff just didn’t get expressed literally in the book.