Tag Archives: Coconut Books

Rah! Rah! Roundup

rahrahroundup

April 1st kicked off National Poetry Writing Month. A bunch of Weird Sisters are NaPoWriMoing over at GirlPoWriMo—stop by for fresh feminist poems popping up every day!

The Poetry Foundation blog’s group of featured writers this month is omg radness—Jennifer Tamayo delivers a message from The Mongrel Coalition Against Gringpo, Trisha Low reminds us that “Poetry Is Not the Final Girl,” and Gina Myers tells us what she’ll do while she’s not at AWP.

For those of us who are going to AWP this week, come say hi to WEIRD SISTER!

In other literary news, Morgan Parker is launching her new book, Other People’s Comfort Keeps Me Up At Night, into outer space tonight in NYC.

Read The Volta’s great review of Rosa Alcalá’s Undocumentaries. Continue reading

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Emoji in Translation: A Review of The Grey Bird

greybird-cover-final-draft

The Grey Bird, (Coconut Books, 2014), with emojis by Carina Finn and translations by Stephanie Berger, is one of the most exciting books I’ve read in a long time. Here’s why:

1. Collaborative work is better reading than solo projects.

Sometimes when I read a book by a single author, I want to write in the margins and create another poem/work, offering editing suggestions, and/or just plain letting them know how much I loved a certain line. When you have more than one lens involved in a work, you can see more than a single consciousness’s approach, and it often seems “better” than what I would imagine would have been created on one’s own. If I had just seen Finn’s emojis or just read Berger’s text, I am not sure I would have been as entranced. It’s the combination that works and is brilliant.

Finn’s emojis on their own:

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Berger’s text on its own:

Is that a poem or just a bunch of food? Continue reading

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