Last Thursday night, December 15th, Weird Sister joined Hyperallergic, Well-Read Black Girl, The Creative Independent, Lenny, VIDA, and many other arts organizations for ART AFTER TRUMP at Housing Works Bookstore. The night featured over 150 artists of all disciplines responding to the questions posed by the event organizers: “As an artist, how are you reacting to this uncertain future? What do you want to say or do?” Performances ranged from poems and essay excerpts to letters, speeches, and songs—you can listen to full audio from the event over on The Creative Independent. Below are the pieces that Weird Sister’s five performers—Merve Kayan, Christopher Soto/Loma, Naomi Extra, Cathy de la Cruz, and myself—shared that night:
“In 1961, Fannie Lou Hamer went to the hospital to have a cyst removed and left with a hysterectomy. Forced hysterectomies on black and brown women were a common practice in Mississippi. One of many victims of gendered racial violence, Hamer’s body, as both woman and black was under siege by the state. Still, she fought. In 1963, Hamer and a fierce set of lesser known black women—June Johnson, Anelle Ponder, Dorothy Height—used their voices to fight against voter suppression and more broadly, the Trumps of their time.
I refuse to think of Trump as a threat located in a single body. I resist this as a mode of organizing and as a political stance. As a black woman in America, I reject anti Trumpness as a galvanizing energy in fighting oppression. It is contrary to my lived experience. It is contrary to the political work of black women radicals like Fannie Lou Hamer, Ida B. Wells, and Ella Baker who fought against multiple forms of oppression. Who fought for women’s rights, labor rights, and civil rights. As a black feminist, I locate myself as part of a long history of fighting against the Trump-like terrors that have plagued poor people, women, the LGBTQ community, and people of color for centuries. Continue reading