Rowan Hisayo Buchanan’s debut novel Harmless Like You is not a comfort read. At least, for me, a woman who has yet to be married or have a child, its themes revolve around a marriage at the point of potential break and a child abandoned by his mother. Reading the novel, I couldn’t help but fear “what if I do it all wrong, too? What if motherhood and marriage are jobs some people just aren’t meant for?” Luckily, I got to right to the source of the novel’s intense themes and ask Hisayo Buchanan about these questions and more:
Kati Heng: Harmless Like You touches on the hard questions many of us without kids are most scared to ask: What if I’m not meant to be a parent? What if I’m bad at it? The novel explores this idea; but, taken from your side and not the characters: Do you believe parenthood is a choice you make, or a role that naturally suits some and not others? Does it fall somewhere in the middle? Continue reading
I first encountered Taleen Kali at a small zine fair that was taking place in an open air courtyard in an arty Los Angeles strip mall. “How LA,” I thought. While browsing, I was struck by Taleen’s beautifully put together publication, DUM DUM Zine, and the sense of both playfulness and artistic gravitas surrounded her. So of course, after picking up a copy of the zine, I did what any fangirl would do: I followed her on Instagram. Through the images and stories she shares I learned about Taleen’s work as a yoga instructor, guitar shredder, dog-mom to an adorable pup named Leelo, her recent shoot with BUST magazine as a glitter makeup model, and got a sense that there’s almost a mystical girl gang that hovers around her. She seemed to embody the spirit of Weird Sister, so of course I had to talk with her more. We caught up over email about intersecting artistic identities and communities, cultivating creative rituals to survive these current political times, and the upcoming EP she is recording.
Eleanor Whitney: You do so much! You are a writer, editor, artist, musician, yogi, glitter makeup model and all around badass. Do you distinguish between your different projects or do you see them more as one integrated art practice?
Taleen Kali: The glitter makeup story for BUST Magazine was definitely a fun surprise!
As an interdisciplinary artist my projects have always been conduits, helping me to excavate and express different parts of my identity. I think it’s human nature to compartmentalize, yet the more stuff I make the more I realize it’s coming from the same source, even if it’s expressed through different mediums.
EW: You have played in punk bands around L.A. for a few years and now you are gearing up to record and release a solo EP and play a type of music you describe as “cosmic femme punk.” How did you hit on that description for your sound?
TK: All the writing and music projects over the years helped me figure out what I really wanted to write, and ultimately sing about: transcending the bullshit, comprehending the beauty of the divine feminine, and elevating my surroundings. Arriving at that mindset is what cosmic femme punk means to me.
Over time my music began to evolve from this “doom” persona, becoming less about bleak narratives and more about sonic expression and reclaiming femme visibility, and getting to decide what that means. As a first generation Armenian American it’s really important for me to use my voice and resources to uplift fellow women of color, queer communities, trans folx, and other marginalized voices. What we need to talk about will change too as media and culture evolves, so I thought: why not start with “FEMME AS FUCK” and go from there?
I’ve always understood the allure of the road. A chance to play at something else, something bigger, get swallowed up, get away.
My childhood was filled with curly lipped churchgoers who spoke in tongues, an aunt with curious hands, a stultifying fatphobia that ripped my tongue out of my mouth, and an unstable mother who liked meth houses.
I survived this through the pathological pursuit of achievement, a rabid dick-hunger that activated an ancient understanding of pussy as barter, and the most meticulously crafted isolation—a rococo house with no doorknobs. I built a road out of my past one trophy, one fuck, one stifled meltdown at a time. Roads—metaphorical and literal—are precious to me, representing motion, change, and the promise of a novelty that touches me and awakens my heart.
I’m about to hit the (literal) road with seven other writers and artists for the Sister Spit 20th Anniversary Tour. Started in 1997 by Michelle Tea and Sini Anderson, Sister Spit was a brazen response to the dude-saturated open mic scene of 1990s San Francisco. The tour is legendary for having started as an all-girl lineup traveling the country by road and bringing provocative observations about the strange world that had built itself around them—stories of sex and love and survival and the million ways a country can disappoint you. Continue reading
NYC poets: Join us for a strategic planning meeting to prepare for the literary activism of the year ahead.
Where: Bureau of General Services-Queer Division, 208 W 13th St, Rm 210, New York, New York 10011
When: TOMORROW, Saturday 2/25, 4-6 PM
From the event’s Facebook page:
– What social/governmental issues do we want addressed in the coming year
– What literary activist issues do we want addressed in the coming year
– What strategies for activism have we seen be successful?
– Where and how do we focus our energy?” Continue reading
On the day of the inauguration, I spent a few hours with photographs by young women artists at the #girlgaze: a frame of mind exhibit at the Annenberg Space for Photography in LA. It was my personal West Coast protest: what better place to focus my attention for a few hours than on a diverse, global array of girl artists.
It felt political to enter a space designed with the aesthetics of a teenage girl’s bedroom in mind–all neon pink, selfie-generating machine, and Lana del Ray on the playlist–and to call that space not lesser-than, not derided, not frivolous, but art. Important art.
The Girlgaze project, a multimedia digital platform “that generates visibility and creates community for the next generation of female photographers,” was founded by Amanda de Cadenet, along with an impressive team of collaborators. Their mission is to “support girls behind the camera.” Their manifesto, posted at the entrance to the show, reads:
We are taking back the word girl. We are pushing back against the cultural projections and traditional gender roles imposed upon girls from the outside world, media and culture. Instead, we aim to represent the intelligence, creativity, complexity and diversity of girls’ experience—across nationality, ethnicity, race, religion, sexual orientation, and economic background—by taking the camera into our own hands. It is up to us—those who identify with being a girl—to show our perspectives, tell our stories, and determine our own identity, sexuality, and beauty.
I interviewed one of the artists in the exhibit, Abby Berger, who, at sixteen years old at the time of her acceptance to the show (though she’s now seventeen), was one of the youngest #girlgaze artists. Abby, who lives in New Orleans, is also the daughter of a friend of mine. I remember when my girlfriend shared with me that her daughter’s photography was gaining some notoriety on Instagram. A few months later, this friend told me Abby’s work would be shown in Beverly Hills—and I knew immediately that she meant the #girlgaze exhibit.
BEST LITERARY SEX is a new Weird Sister series paying homage to the hottest, most memorable sex scenes in our favorite books.
I couldn’t have been more than twelve or so when I first got my hands on If Beale Street Could Talk, James Baldwin’s gut-punching 1974 novel about Tish and Fonny, young lovers struggling to fight a racist and corrupt justice system in 1970s New York. It had been placed in the mahogany bookshelf in the living room, right above the double rows of Encyclopedia Britannica. I remember flipping through it, scanning the pages until my eyes caught the passage about Fonny’s “sex stiffening and beginning to rage against the cloth of his pants.” In an instant, I had stumbled upon my first literary sex scene. I’ve come across a few since those days but, my gosh, there’s nothing quite like the first time. Continue reading
There’s a sort of guilty pleasure that comes with reading a book illustrated on every page. Even more delicious is an illustrated book filled with exposed affairs, connected relationships, and literal-drawn-out lines of influence exposing our favorite artists from the decades gone by. When these elements come together in The Art of the Affair: An Illustrated History of Love, Sex, and Artistic Influence, the result is the most electric read with which to start the new year.
I had the chance to ask writer Catherine Lacey and illustrator (and Weird Sister contributor!) Forsyth Harmon more about their new book, their favorite tidbits of gossip, and more:
Kati Heng: I know you had to cut down and leave out sooo much to include so many of these relationships in your book. If you were to write and illustrate a single book about the intermingling affairs of one couple or group (since it seems like every didn’t just settle for one partner!), who would you focus on and why?
Catherine Lacey: Anaïs Nin was a big inspiration for the early research and looking back, she was also one of the most prolific characters in the book as far as friendships, affairs and alliances go. Her diaries and letters reveal a sort of fervency she had about the people in her life and she left troves of writing about her relationships.
Weird Sister is happy to be co-sponsoring a Candlelight Vigil for Free Speech on the last day of AWP in Washington DC next week:
“We invite writers assembled in DC for AWP to a Candlelight Vigil for Freedom of Expression. This basic freedom is threatened in new ways and with more intensity than in recent memory. As the nation’s poets and writers, editors and critics, we have a unique and vital obligation to stand watch over free speech and expression. May our candlelight vigil February 11 provide encouragement and focus to our watch in the coming years.”
When: Saturday 2/11; 6:15 – 7:30
Location: Lafayette Park, across from the White House. A 20-minute walk from the convention center. Close to the Farragut North Metro stop on the Red Line.
Speakers: Kazim Ali, Gabrielle Bellot, Melissa Febos, Carolyn Forché, Ross Gay, Luis J. Rodriguez, Eric Sasson.
Learn more on the event’s Facebook page.