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Rah! Rah! Roundup

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Roxane Gay on the murder of Alton Sterling and America’s continued racist violence: “It’s overwhelming to see what we are up against, to live in a world where too many people have their fingers on the triggers of guns aimed directly at black people. I don’t know what to do anymore. I don’t know how to allow myself to feel grief and outrage while also thinking about change. I don’t know how to believe change is possible when there is so much evidence to the contrary. I don’t know how to feel that my life matters when there is so much evidence to the contrary.”

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Mattilda Bernstein Sycamore writes about why transgender troops should be an oxymoron: “What, then, would an end to the ban on trans people serving openly in the US military serve to facilitate? More of the same: endless war, plundering of Indigenous resources, both in the US and abroad, and a militaristic orientation that sees oppressed people as cannon fodder for US imperialism.”

Alice Bag discusses her new solo album with the L.A. Times: “I remember growing up and having people say that there are certain things you don’t talk about at the dinner table…You don’t talk about religion or sex or politics. Well, then I’m going to go eat on the TV tray. Those are the only things I want to talk about.”

Novelist Gabby Rivera discusses her YA novel Juliet Takes a Breath with Remezcla: “I had to do some serious soul searching and evolving in my personhood and politics. As I asked myself those questions, Juliet really came alive and the purpose of it, connecting with queer youth of color, became clearer to me.”

Fanta Sylla has created (and continues to edit) the Black Film Critics Syllabus, feat. subheadings such as “Black music video is Black cinema,” “Black women looking/looked at,” and many more.

Kathleen Hanna is featured in the new installment of Pitchfork’s Over/Under series.

Dev Hynes released his new Blood Orange record, Freetown Sound, a few days early, and you can watch the new video for “Thank You/Augustine” at his website.

Read a transcript of Jesse Williams’ recent BET Awards speech at Colorlines: “Now, this is also in particular for the [B]lack women in particular who have spent their lifetimes dedicated to nurturing everyone before themselves. We can and will do better for you.”

Eileen Myles on guns and gays: “When we talk about gun control I think we need to put the focus explicitly on protecting us from us and not from ISIS. We have guns, we live here, we find it so easy to kill. Something is so very wrong with America when the right to bear arms is not freedom but a curse.”

The 20th anniversary edition of Leslie Feinberg’s Stone Butch Blues is now available in multiple formats, including free PDF.

At Buzzfeed, Doree Shafrir writes about how the media (specifically People) covers domestic violence: “And today, the language around domestic abuse remains euphemistic. Marriages or relationships that seem haunted by the specter of physical and/or emotional abuse are often labeled ‘turbulent’ or ‘volatile’ — certainly a legal hedge, but one that also allows the severity of domestic violence to be downplayed and, in a way, normalized.”

 

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“While we respect that many people feel as though they want to be in solidarity with the city of Orlando, we are centering in this space the voces of #Pulse, the latinx and queer who are still as always the subject of multiple oppressions and erasures.” – Drunken Boat holds space for “queer latinx gente” to respond to the Pulse nightclub shooting.

“We need to include eating disorders in the larger conversation about mental health lest they continue to remain—to the greater public—dismissible, peculiarities of girlhood.” – JoAnna Novak talks with Nina Puro, Sarah Gerard and other writers about “the literature of eating disorders.”

I’m so excited about Tamara Winfrey Harris’s new column for Bitch, “Some Of Us Are Brave,” which highlights “the intersected identities and experiences of American women.” Continue reading

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Remember their names, faces, and lives– these are the victims of the Pulse shooting, primarily queer POC.

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If you live in Brooklyn/NYC or thereabouts, you are in the for a treat tomorrow! Popsickle 2016 features readings by Naomi Jackson, Wo Chan, our own WS editor Marisa Crawford, Joey De Jesus, Jami Attenberg and many more.

For those of you on the West Coast (Los Angeles, specifically), This Will Hurt Me More Than You opens at Last Projects tomorrow, feat. work by Ciriza, Michael Dee, and Cynthia Herrera; tomorrow night’s opening features a (not to be missed) a performance by Ciriza.

Alice Bag is interviewed at Bitch about her new solo album, how teaching informs her work, and more: “But when I go out on book tours and speak to students, it feels like I’m teaching again. It’s wonderful to get into discussions with college students who’ve read my book. As artists, we sometimes have opportunities to spark discussions about the changes we’d like to see. I’ve been able to do that through my music and touring, so in a way, I guess I’m still teaching, I’m just not in a classroom anymore.” Continue reading

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At Bitch, Amy Lam interviews MariNaomi about her new graphic memoir Turning Japanese: “I think every young person feels like they don’t quite fit in, or if they do fit in, they feel like people don’t really know them. My version of not fitting in was because I was half-Japanese in a very Caucasian area. It was definitely pretty naive to think that I would find some kind of belonging in a foreign country.”

The Offing, the online literary magazine formerly attached to the Los Angeles Review of Books, is making some big, necessary changes; support them and read more about it in this essay from editor Chanda Prescod-Weinstein: “In 2016 our endeavors must include engaging in long overdue transgressions against tradition by actively working with and for people who have long been pushed to the margins, whether through dispossession, slavery, colonialism, erasure or all of the above.”

Over at Flavorwire Sesali B. writes about navigating abuse allegations in the media in regards to the recent split of Johnny Depp and Amber Heard: “But can you legitimately defend someone against allegations that are so personal? How? In a situation like this, can you really use your experience with them to gauge what their experience was like with someone else?”

Amandla Stenberg answers readers’ questions at Rookie as part of their new “How We Live” series, which is “a series centering on the lived experience and thought of black teenagers.”

Iman Williams writes on Beyoncé’s Lemonade for Entropy: “The Black feminine is denied entry and access to worlds and modes of being that cease to exist without her; Beyoncé’s Lemonade indicates that the conditions that situate the Black feminine in this interstitial space inaugurate a Black feminist futurity that exceeds a traditional symbolic order.”

Ginger Ko writes on connecting through the internet in her new essay for The Offing, “The Cave”: “I don’t consider myself obligated to maintain Facebook as a representative snapshot of the world, in which the most adamant and idle take up the most space with their ample voices and ample time. My blocked list is important to me, and shall be maintained for as long as my Facebook lives.”

Women are having to travel farther and father to access abortion, as reported at the L.A. Times: “As more states adopt more restrictive laws and the number of clinics dwindles in the so-called “abortion desert” – an area that stretches from Florida to New Mexico and north into the Midwest – women are increasingly traveling across state lines to avoid long waits for appointments and escape the legal barriers in their home states.”

Domonique Echeverria talks to Paper Magazine about her suicide attempt, the harm pharmaceuticals can do, prosthetics, and her own path to healing: “I’d done coke and heroin and acid and I’ll tell you, pharmaceuticals are the worst fucking drugs. They can make people sick. I guarantee you there’s more people addicted to pharmaceuticals than street drugs.”

The new issue of Divine Magnet (edited by WS contributor Seth Landman!) is now live, featuring work from Monica Fambrough, Lesley Yalen, Cheryl Quimba, Natalie Lyalin, and more.

What did we miss this week? Let us know in the comments! <3

 

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In a Letter of Recommendation for the New York Times, Jenna Wortham spoke of her experiences getting best friend tattoos: “I don’t regret any of the ink. When I look at it, I smile and think about the feverish throes of friend-love and how lucky I was to have felt it more than once.”

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For your Feminist Friday enjoyment: every plant and animal from Emily Dickinson’s poems, catalogued.

Read Weird Sister Caolan Madden’s poem “Haworth Honeymoon” in the new issue of Inferior Planets.

Krystal Languell talks about unpaid labor, ethics, and the unsung heroes of small press publishing.

“There needs to be a literary Juneteenth. We can’t rely on publications and presses that have, through the actions and complicity of their leadership, proven oppressive.” – Casey Rocheteau on why she left The OffingContinue reading

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“Framing the existence and realities of trans people in this way — as up for debate — is far from innocently provocative. It’s dangerous, specious, and complicit in the spectrum of violence that trans people face every day in this political climate.”–Oliver Bendorf in “Responses from the Trans Community on Daniel Harris and the Antioch Review

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“It would be easy to pretend I am just fine with my body as it is–I am a feminist after all and I believe in diverse body types–but then I have to leave my apartment and face the world.”–Roxane Gay on how “by the power of Beyonce,” she’ll overcome her fears.

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